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This groundbreaking anthology offers a broad and representative introduction to some of the most exciting, fresh voices on the contemporary poetry landscape by gathering together generous selections from the work of 85 younger American poets.
The poets selected were born after 1960, published their first book within the last 10 years, and have no more than three books published. Some are the recipients of numerous awards, while others, who are making their first appearance, are quickly making significant contributions to twenty-first-century poetry.
The poets include Rick Barot, Joshua Beckman, David Berman, Nick Flynn, Matthea Harvey, Terrance Hayes, Major Jackson, James Kimbrell, D.A. Powell, Spencer Reece, Matthew Rohrer, Rebecca Wolff, Kevin Young, Matthew Zapruder, Andrew Zawacki, and many others.
- Sales Rank: #638292 in Books
- Color: Paperback,
- Brand: Brand: Sarabande Books
- Model: 1861929
- Published on: 2006-01-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.30" w x 6.00" l, 1.71 pounds
- Binding: Paperback
- 500 pages
Features
- Used Book in Good Condition
From Publishers Weekly
How does one communicate the intersection of life and the imagination-its sources, questions and preoccupations? This anthology of new American poets variously, and more often than not, exquisitely explores this puzzle. Comprised of discordant voices-85, to be exact-from the gritty, near-confessional wordplay of Olena Kalytiak Davis and Paisley Rekdal to the terse experiments and mini-saga prose poems of Matthea Harvey and Joel Brouwer, this anthology uncaps the concerns of contemporary life, releasing vapors to mix with the contemporary imagination. (Or, life and imagination as perceived by poets under age 45 and with three or fewer books-for better or worse, the anthology's selection criteria). The imagination rests, as with as with Oni Buchanan's exploration of love-as-yak, or, in Carrie St. George Comer's poems, reels in memory. Other times, emboldened by language, the imagination "weaves / the world together with a quicker blur of armed / seduction" (Brenda Shaughnessy, "Postfeminism"). Even the titles (compare Maurice Manning's "On God" to Timothy Donnelly's "Twenty-Seven Props for a production of Eine Lebenszeit") reveal the historical, philosophical and aesthetic sources of these poems that often speak to "you," the "Bare-faced, flint-hearted, recoilless / Reader" (Olena Kalytiak Davis, "sweet reader, flannelled and tulled"), inviting intimacy, assuming courage and requiring immersion in the moment.
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About the Author
Marvin's first book, World's Tallest Disaster, was awarded the 2000 Kathryn A. Morton Prize by Robert Pinksy (Sarabande 2001). In 2002, she received the Kate Tufts Discovery Award. Her poems have appeared in The Paris Review, New England Review, Ploughshares, Fence, Georgia Review, Slate, and The Kenyon Review. She is a creative writing professor at the College of Staten Island. Dumanis was the Poetry Curator at Brazos Bookstore, a former Poetry Editor of Gulf Coast, and is currently completing his Ph.D. in Creative Writing at the University of Houston. A two-time Academy of American Poets Prizewinner and recipient of Fulbright, Truman Capote, and James Michener Fellowships, he has published his poems in numerous literary journals.
Most helpful customer reviews
8 of 10 people found the following review helpful.
a solid collection
By southern reader
This book reminds me of the Poulin anthology. It seems to start where the Poulin leaves off, providing a look at the poets much too young and new to be included in any of Poulin's editions. Some of the writers in here are among the most notorious in their generation, the ones that seem to be winning honor after honor, but the book has some surprises as well: interesting poets I read for the first time include Sabrina Mark, Lisa Jarnot, and Julianne Buchsbaum. A lot of the bigger names too: Nick Flynn, Kevn Young, Natasha Trethewey. Some surprise omissions, but that's true of all anthologies. All in all, a pretty good intro to the poets who are probably well-known to many of their peers but not to us older folk. Definitely has more experimental poems than a lot of the big anthologies, but there's also a surprising number of writers using meter.
4 of 6 people found the following review helpful.
Pity
By Simon Barrett 'Il Penseroso'
Is it the methodology that is to blame for this underwhelming collection? It is quaintly restricted to poets born from 1960 (ok) who had no book pub'd BEFORE 1995(?) and had pub'd NO MORE THAN 3 BOOKS when this collection was being assembled(???). I'm afraid it's the guys listed on pxxviii they DIDN'T include, the divine Denise Duhamel entre autres, that got me slavering. And then there's the sheer volume - EIGHTYFIVE names! OK, it's not the poets' fault - the university presses need product and they're only trying to secure their future after all - but it needs to be said that these poems for the most part lack emotion, form, fun, concision, lyricism and fundamentally a sense of NECESSITY, their willed obscurity suggesting not hidden depths but concealment, obfuscation. On form, was there really NO RHYME till p333 (from the delightful Patty Seyburn) and precious little afterwards?! Otherwise the only oases I spotted in this formless desert were the modestly pleasing ghazal on p383 and the canzone (like a sestina but harder) on p414. As for the 'sonnet' on p376, sonnets come in many forms these days, but line count is not enough.
Bottom line: these poems are just plain dull - dull and samey. Yeah, I know - how can 85 poets be samey (quite an achievement!) and some of these guys, other than Seyburn and one I'm saving for the end, must have legs. If these were paintings I'd say they needed to be better lit, better framed and better hung; in this dingy basement they don't show at their best. Better yet, stash 'em in the cellar for posterity to discover (life's too short to attempt the work of posterity now!)
Anthologies only work if they are collections of gems the compiler genuinely treasures (example: David Lehman). Even selecteds are often compromises; only the original individual volumes, with good and less good alongside, are the biz, like LPs/CDs (am I old fashioned? yes). Collections of the merely 'representative' are dreary compromises; although funnily enough this one was ALMOST redeemed for me by the very last poem (the fact that we wind up with Rachel Zucker, a name new to me, shows that alphabetical anthologies aren't invariably doomed) which was everything I want from a poem, funny, witty, ingenious, subtle, disturbing, poignant - everything this collection, alas, is not.
6 of 10 people found the following review helpful.
C-c-c ... Cronies!
By godotnut
Mike Dumanis is a nice guy who did a terrible job on this anthology. It should have been called "Mike Dumanis' Anthology of His Iowa Friends (and a few others he met at AWP)." The most myopic anthology I've ever seen.
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